Download e-book for iPad: Antoni Gaudí by Roe, J.; Gaudí, Antoni

By Roe, J.; Gaudí, Antoni

ISBN-10: 1780429673

ISBN-13: 9781780429670

The publication undertakes a serious survey of the structure of Antoni Gaudí, drawing at the most recent educational examine and followed by way of documentary illustrations and a photographic essay of his paintings. the hole chapters offer an creation to Gaudí's biography and the social and cultural context of Barcelona amidst which he built his extraordinary and unique structure. Following this his paintings is  Read more...

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Gaudí designed a throne-like armchair, a prieu-dieu and a wooden pew. The latter reveals Gaudí’s ability to work with architectural forms on a small scale and combine them with a combination of decorative carving. Seen from the side the carvings, which are supported on slender columns, incorporate Gothic pointed arches and an elegant sinuous winged dragon. The significance of the dragon is addressed in the fifth chapter, when the country estate of Eusebio Güell is examined. Güell married into the Comillas family.

It is thought that they paid for the design in part through their labour. The design is simple but distinctive. It marks Gaudí moving to develop his own way of working with curved forms. However, it also reveals his ability to produce simple designs using economically viable materials such as brick, stone and tiles. What is more these materials give a sense of solidity and permanence. The second project is a bridge he designed for Pomaret between 1904 and 1906. Although the project never extended beyond the design stage it reveals Gaudí developing a project that combines practical function with the aesthetic forms created by the alternating piers of the bridge’s arches and the undulating form of the barrier.

Under the dictatorship of Franco the sculpture was dismantled because of its radical message, but was replaced in the 1980s. Gaudí’s Barcelona Preserving Past Values and Practices in the Modern Era B oth Gaudí and many of the patrons he worked for shared a selective view of modernity: they appreciated the advances in technology, such as automatic looms, which increased their wealth, but were less convinced by changes in the social order, such as equal pay for women or even democracy. ” He clearly moved away from any youthful association with the ideas of the Mataró collective to a conservative view of the social order based on a rose-tinted, paternalist model of urban feudalism.

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Antoni Gaudí by Roe, J.; Gaudí, Antoni

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