Download PDF by Anna McWilliams: An Archaeology of the Iron Curtain: Material and Metaphor

By Anna McWilliams

ISBN-10: 9186069780

ISBN-13: 9789186069780

The Iron Curtain used to be obvious because the divider among East and West in chilly battle Europe. The time period refers to a cloth truth however it can also be a metaphor; a metaphor that has turn into so strong that it has a tendency to mark our old realizing of the interval. during the archaeological learn of 3 components that may be thought of a part of the previous Iron Curtain, the Czech-Austrian border, the Italian-Slovenian border and the Berlin Wall, this learn investigates the connection among the fabric and the metaphor of the Iron Curtain.

“This paintings falls inside what's often often called modern archaeology, a pretty younger sub-discipline of archaeology. Few huge learn initiatives have to this point been released, and strategies were defined as nonetheless a bit experimental. during the fieldwork it's been attainable to recognize and spotlight the issues and possibilities inside modern archaeology. It has turn into transparent how the fabrics stretch either via time and position demonstrating the complicated strategy of how the fabric that archaeologists examine might be created.”

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Extra info for An Archaeology of the Iron Curtain: Material and Metaphor

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Baer is clear on how this is not necessarily a bad thing as he suggests that it can help create a richer understanding of history (Baer 2001:499). Whether we see this as a negative or a positive, and surely it has an element of both, we need to understand the impact popular culture has on the material we study and foremost the ideas that people have of this material and the period it represents. The images produced in media as well as in books and films affect us more than we might think. In the article Views of the Wall – Allied Perspectives archaeologist John Schofield, gives us some of his memories of being a child in West Berlin in the early 1970s as his father Group Captain Schofield was posted in the city as a Wing Commander for the Royal Air Force (RAF).

Well I was waiting for the communist call. I didn’t ask for sunshine and I got a world war three. I’m looking over the wall and they’re looking at me…” in ‘Holidays in the Sun’ and in America the country and western singer Reba McEntire claimed: “…we have no curtain, made of iron or stone, we are not divided by a wall” in her song ‘Let the Music Lift you up’. Many film posters and book covers, especially for the then increasingly popular spy novels, depict the Iron Curtain and often the Berlin Wall such as John Le Carré’s The spy who came in from the cold in which the Berlin Wall is described: Before them was a strip of thirty yards.

Troops moved into position to guard the eastern border and the construction work. Traffic was stopped, as were over- and underground trains that crossed the border. When the Wall was up and serving its purpose, it was to cut through 192 streets and crossing could now only take place through 14 official crossing points (Rottman 2008). The U-Bahn trains were completely severed between the two parts of the town whilst the S-Bahn still functioned but highly controlled to avoid illegal crossing. m. trucks had arrived with prefabricated concrete blocks and the first sections of the wall were laid across Ackerstraße near Bernauerstraße.

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An Archaeology of the Iron Curtain: Material and Metaphor by Anna McWilliams


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