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ISBN-10: 3211298215

ISBN-13: 9783211298213

ISBN-10: 3211692991

ISBN-13: 9783211692998

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Extra resources for Again the Metaphor Problem and Other Engaged Critical Discourses about Art: A Conversation between John Baldessari, Liam Gillick and Lawrence Weiner, moderated by Beatrix Ruf

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Es hat zu tun mit dem Aufstieg der Entwicklungsabteilung, der Presseabteilung und der Marketingabteilung. In manchen Museen wird erwartet, dass man zuerst mit den Marketingleuten spricht. Sie wollen herausfinden, wie sie die Ausstellung vermarkten können. Und dies ist ausserordentlich verstörend, es gibt keinerlei erkennbare Verunsicherung darüber, wie das wirken könnte oder ob das überhaupt die richtige Verhaltensweise sei. Oft arbeite ich mit sehr interessanten Kuratoren Hand in Hand, um eine Menge solch institutioneller Probleme zu überwinden.

Der Schlüssel zum Verständnis, was Kunst sein sollte und was Kunst ist, steht in Verbindung mit Heinrich Heine, «Du bist wie eine Blume». » John Baldessari Genau, und du sprichst über etwas, indem du über etwas anderes sprichst. 58 what you have to do … It’s something we already did. We tried to make it clear what we were talking about without writing a text about it. It is a great book, it is public, it is easy to find, and it’s in the libraries. ” John Baldessari Exactly, and you talk about something by talking about something else.

Und andere Menschen sind der Ansicht, dass die Arbeit ihnen dabei hilft, etwas zu verstehen, und sie haben das nötige Geld dafür übrig. Ich habe dieses Schuldgefühl eigentlich nicht. Ich fühle mich schuldig, wenn ich aufstehen und den Kasperle spielen muss, wenn ich aufstehen und zum Schauspieler werden muss, nur um sie mit dem zu erreichen, was ich tue. » Wir alle haben diese Traumata. Und Johns Trauma geht genau so tief wie meines, doch meines ist nicht ein Problem der Trägerstruktur. Liam Gillick Diese Idee vom reichen Menschen als einzigem Nutzniesser der Kunst trifft nicht durchwegs zu.

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