By Jean Hanff Korelitz
"Admissions. Admission. Aren't there aspects to the observe? And opposing sides...It's what we enable in, yet it's additionally what we enable out."
For years, 38-year-old Portia Nathan has refrained from the prior, hiding in the back of her busy (and occasionally punishing) occupation as a Princeton Universityadmissions officer and her liable family existence. Her reluctance to confront in point of fact unexpectedly crushed by means of the resurfacing of a life-altering selection, and Portia is confronted with a rare try. simply as hundreds of thousands of the nation's brightest scholars watch for her determination concerning their educational admission, so too needs to Portia make a decision no matter if to make her personal final admission.
Admission is right away a desirable examine the advanced university admissions approach and an emotional exam of what occurs whilst the secrets and techniques of the prior go back and shake a woman's existence to its middle.
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The speed of trains and automobiles. (Marinetti 2006: 122) Futurist literary manifestoes sang the praises of globalization, urban dynamism and the rapid pace of modernity, while presenting words-in-freedom as the idiom par excellence for the age of “the telegraph, the telephone, and the gramophone, the train, the bicycle, the motorcycle, the automobile, the ocean liner, the airship, the airplane, the film theater, the great daily newspaper,” regarded as a symbol of a new world of global communication (Marinetti 2006: 120).
1974) Russian Cubo-Futurism, 1910–1930, The Hague, The Netherlands: Mouton. Berghaus, G. (1998) Italian Futurist Theatre, 1909–1944, Oxford, UK: Clarendon. ) (2009) Futurism and the Technological Imagination, Amsterdam: Rodopi. Bernard, C. (1865) Introduction à l’étude de la médecine expérimentale, Paris: Laillière. Boccioni, U. (1971). Gli scritti editi e inediti. Milan: Feltrinelli. Bohn, W. (1986) The Aesthetics of Visual Poetry, 1914–1928, Cambridge, UK: Cambridge University Press. Compton, S.
The result has nothing to do with Italian Futurism’s Telegraphic Lyricism; instead the cumulative deployment of a specific device encourages a new constructive form of reading against-the-grain. When read in both directions, a line’s initial meaning changes to negate the former sense (Pomorska 1968: 100). As has been pointed out, although the palindrome does not necessarily demand neologism, Khlebnikov was not averse to experimenting with a combination of the two devices (Cooke 1987: 93). In a similar spirit, he liked in his poetry to encode names and key words as anagrams.
Admission by Jean Hanff Korelitz