"The better half to the Victorian Novel" offers contextual and significant information regarding the complete diversity of British fiction released among 1837 and 1901. presents contextual and significant information regarding the whole diversity of British fiction released in the course of the Victorian interval. Explains concerns similar to Victorian religions, category constitution, and Darwinism to those that are unexpected with them. contains unique, obtainable chapters written by means of well known and rising students within the box of Victorian reports. excellent for college kids and researchers looking up to date insurance of contexts and tendencies, or as a place to begin for a survey direction.
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Additional resources for A Companion to the Victorian Novel
Trollope, Anthony (1980), An Autobiography (Oxford: Oxford University Press). (First publ. ) Waugh, Arthur (1930), A Hundred Years of Publishing, Being the Story of Chapman & Hall, Ltd (London: Chapman & Hall). Further Reading Dooley, Allan C. (1992), Author and Printer in Victorian England (Charlottesville: University Press of Virginia). Feltes, N. N. (1986), Modes of Production of Victorian Novels (Chicago: University of Chicago Press). Griest, Guinevere (1970), Mudie’s Circulating Library and the Victorian Novel (Bloomington and London: Indiana University Press).
H. Smith bookstalls in most stations, the railways also helped spawn all the cheap series (often, fittingly enough, called “Railway Libraries”) that began to appear in the late 1840s and 1850s. Law, as well as technology, played a part. As previously noted, the cheapening of magazines and books in the mid-Victorian period was enabled, in part, by the repeal of taxes on paper and advertising. From the point of view of both authors and publishers, however, developments in copyright law were even more crucial.
For most of the century, nothing either barred American or European publishers from reprinting a British novel or required them to compensate the novel’s author or publisher. While a combination of legislative acts and treaties secured British authors some right to copyright protection on the continent at midcentury, British authors enjoyed no US copyright protection until century’s end. An 1854 Act of Parliament exacerbated the unfairness of this situation by enabling American authors to secure British copyrights for their work by simply being present in Britain or any of its dependencies at the time of publication.
A Companion to the Victorian Novel